Showing posts with label Sam Dawson. Show all posts
Showing posts with label Sam Dawson. Show all posts

Sunday, 13 September 2026

The Pandemic Has Begun!

THE PANDEMIC HAS BEGUN!


Index Case is a pre-apocalyptic medical thriller that we can only hope remains purely fictional, but this latest offering from Sam Dawson is based on thorough research and the insight only a professional journalist can bring. Accompanied by Sam's own illustrations and a chilling cover by Greg Chapman, this is one book you're not going to want to miss out on. Catch the virus now as an ebook or in print.

Index case, in public health, the first case of a disease or other condition that is noticed by health authorities. The index case is sometimes also referred to by the term patient zero. - Encyclopaedia Britannica


INDEX CASE isn't just another novel about a pandemic. It's a pandemic in itself! A thoroughly-researched medical thriller, a critical analysis of public policy, a survival handbook, a guidebook to some of the historical highlights along the south coast of England, and ultimately a philosophical treatise. All of this wrapped up for the intrepid reader in one gripping novel.

Rob is an epidemiologist, dedicated to fighting disease and all too aware that the UK is unprepared for the deadly pandemic that's about to hit. As he plans how his family will survive, he ponders the traces of long-dead villages and plagues past, and begins to wonder: is it time to be part of the problem, not the solution?

Index Case holds a Black Mirror up to recent times, with dashes of Quatermass, Wyndham, Simon Clark, Christopher and Doctor Who – all the good stuff! Thought-provoking, with lots of cultural touchstones I could relate to.
— Paul Kane, award-winning, #1 bestselling author of Sherlock Holmes and the Servants of Hell and Dark Reflections

Laced with nuanced social observation and eerie visions of horror, Dawson’s Index Case is a paranoiac fever dream for which there’s mercifully no cure!
— Dave Jeffery, Bram Stoker and British Fantasy Award nominated author of the a Quiet APOCALYPSE series


Friday, 14 August 2026

A Scary Interview with Sam Dawson

The Black Beacon Book of Horror 2 will be released on the 1st of October, but in the meantime, the Kindle version is available for pre-order at just $1.99 instead of $3.99 and you can add the anthology to your Goodreads TBR list. To get you pumpkin-spiced up for an unforgettable Halloween 2026, we’re interviewing the contributing authors. Step into the corridors of their dark minds, if you dare!

Hi Sam,

That classic question to get started. Do you have to be a horrible person to write horrible things?

To write them, no. To do them, yes.

Which horror writers do you admire—old or new, famous or hidden gems?

Lots. So many, in fact, that some may not have received the recognition they deserved. Examples might include the prolific Robert Westall, who never let his readers down, and science-fiction writer Keith Roberts, who, in The Scarlet Lady, penned the ultimate haunted car story.

Can you describe your perfect horror-themed night in, out, or away?

Probably spending the night somewhere said to be haunted, and where horrible things are meant to happen, or have happened. Preferably deep in the countryside or underground, and beginning with a trip to the nearest pub, where the locals will try to warn you off.

Are there any urban legends, folktales, or real-life tales of horror that happened (just maybe) where you live or grew up?

Yes, the Buckland Shag, a hairy great beast that reputedly perched on a boulder in the Shag Brook and occasionally roughed up passing farmers returning home at night from market days, having refused the general advice to stay in town and travel in the morning. It sounds rather like an innkeeper’s invention, or an excuse offered to their wives when they returned home soaked, intoxicated and penniless after carousing their earnings away, but it was taken seriously enough for the local vicar to have the stone uprooted, carted to the coast and thrown off a cliff. After which there were no further sightings of the alleged Shag.

Do you have any writing rituals?

No, just tea. Lots of tea.

Where can we find you online?

Saturday, 1 August 2026

How the Pandemic Started with Sam Dawson

We asked Sam Dawson, author of the forthcoming medical thriller, INDEX CASE, what inspired him to write a novel about a pandemic. Here's what he told us...

Back in 2000 I was on a study weekend with a number of people who had worked or volunteered in Civil Defence and the Royal Observer Corps, back when nuclear war was the threat that transfixed mankind. Several were now involved in disaster planning, and they were reminiscing about the old days. "You know what scares the life out of me now?" one asked. "Avian flu".

Several years later I was on a similar expedition, with similar people. Only now they were coming out of retirement as the British government realised too late that it had thrown away almost all of its priceless Cold War protected infrastructure - everything from the public warning network to the fleets of Green Goddess fire engines and countless bunkers. It was a post-9/11 world where it had been noticed that the perpetrators of those attacks had also explored driving tankers of chemicals to reservoirs and sought licences to fly crop-dusting planes. Suddenly, under the name 'Resilience', emergency planning exercises were being shoehorned into exposed council offices to run simulations on how, with no personnel beyond the over-stretched emergency services and a few civil servants, the threats of flooding, climate change, terrorism and dirty bombs could be handled. Too late and too little, money was being spent. Quietly, every fire service local area received a hazmat vehicle capable of dealing with the results of nuclear, biological and chemical incidents.

The emergency planners were talking again. They all agreed on one thing: that despite all that had happened in recent years, the threat that they saw as certain to materialise, sooner or later - the one that literally kept them awake at night - was bird flu.

That was when I began to write INDEX CASE.

Tuesday, 10 February 2026

Index Case by Sam Dawson

Announcing a new novel! 

Black Beacon Books is thrilled to announce that we'll be publishing the latest novel by British author Sam Dawson in September. This medical thriller is a virus you definitely do want to catch! 
 
Rob is an epidemiologist, dedicated to fighting disease and all too aware that  the UK is unprepared for the deadly pandemic that's about to hit. As he plans how his family will survive, he ponders the traces of  long-dead villages and plagues past, and begins to wonder: is it time to be part of the problem, not the solution?

Cover art by the wonderful Greg Chapman
Illustrations by Sam Dawson


INDEX CASE  by Sam Dawson isn't just another novel - it's a pandemic in itself. A thoroughly-researched medical thriller, a critical analysis of public policy, a survival handbook, a guidebook to some of the historical highlights along the south coast of England, and ultimately a philosophical treatise. All of this wrapped up for the intrepid reader in one gripping novel with Rob, an epidemiologist, preparing his family for the deadly pandemic that's about to hit.

 

Friday, 2 August 2024

A Glimpse of the Ghostly: Sam Dawson

The Black Beacon Book of Ghosts will send shivers up your spine this Halloween. The Kindle version is already available for pre-order at just $1.99 instead of $3.99 and you can add the anthology to your Goodreads "want to read" list today. The anthology will be officially released on the 11th of October 2024. To get you in the mood and give you a little insight into the workings of their minds, our contributing authors are sharing their own haunting experiences with you. Read on, if you're not fainthearted!

Something may or may not have happened years ago. I put it into a short story, my most autobiographical ever, more or less unchanged (including that my best friend also heard the noise and we both stood in the middle of the night right where it was coming from without quite daring to reach out and put a hand in the middle of it). If there hadn’t been a witness, I would have long ago discounted the whole thing. In the story the house’s name was given as Prospect House. That wasn’t – isn’t – its true name. The illustration shows the real house as it was back then. Later owners have changed it irrevocably and removed an unforgivable amount of its historical features.

It was two o’clock in the morning and he was happily reading in bed. His was the only light in the house. Immersed in the book, he became practically oblivious to what surrounded him, automatically shutting out the sounds of a large house settling down (the first night there he’d hardly been able to believe the cacophony of creaks and groans that it made).

That was why it took so long for him to notice the breathing.

It crept up on him subliminally. When he did become aware of the sound he realised that it had actually commenced some time before, but just below the level of his consciousness. His stomach turned to chill water. For a second he entertained the childish idea of pretending that nothing was there, in the hope it would just go away.

But there was. And it wouldn’t. He had to investigate. He rose from bed, not bothering even to put on his robe or slippers, and went out onto the landing. The noise was from below. He looked down. Nothing.

For a few seconds he paused outside Margaret’s room and listened to her sleeping. It clearly wasn’t her making the noise. Her breaths were quieter, shorter, female. And right next to him. These were longer, louder and male. When he held his own breath they continued. He leaned out over the bannister. They came from right below him. The downstairs hall, where the stairs gave a 90 degree turn, creating a small parqueted square of floor. A space that was empty.

Gingerly he descended, keeping his steps quiet, even though he didn’t need to: the sound continued, irrespective.

It was localised. It was from that spot. Where there was nothing to create it. He did all the sensible things, of course: checked that all the windows and taps were closed, even though no water pipes ran anywhere near it; put his hand to the cold metal of the boiler, despite knowing the heating was off; armed himself with a poker and inspected every room for burglars; then went once more to listen to Margaret in case some weird echo was at play. But that was pointless too. The breathing was completely different from hers. And clearly coming from that specific spot on the ground floor.

In the end there was nothing to do. He went back to bed. He turned out the light and tried to sleep, but the noise was more frightening in darkness. Exhausted, he sat back up and took up his book. Somewhere around four o’clock he became aware the noise had ceased. He slept.

The following night, Adam once again found himself awake at two AM. He hadn’t expected the sound to begin again. But it did. He repeated the same pointless actions. It continued, regardless. He returned to the landing and looked down at the space that contained it. Nothing. No one. He could think of nothing to do that would make any sense. In time he returned to bed. In time, he was able to sleep.

By the third night familiarity had deprived it of its ability to scare him. There was also something inherently unthreatening about it. He tried to analyse it. The breathing seemed to be a man’s: even, not unnaturally loud, undramatic. It wasn’t the gasping of someone dying, as he had at first feared. He wasn’t, he felt, witnessing a recording of murder or terminal illness.

The next weekend Tracey and Mark came over, and stayed up so late talking that they both accepted the offer to stay the night. Not unintentionally, Adam kept the fireside reminiscences going long after their wives had retired. In the small hours, the noise began. Would Mark hear it?

He did, and his reaction was similar to Adam’s: an exploration of logical causes. And then illogical ones. The idea that that highly polished patch of floor was haunted was ridiculous. It was true that they were directly below a bannister rail from which someone could have hanged themselves, but such an event was clearly not what they were listening to. There was no known history of violence attached to Prospect House itself.

It was a paradox that couldn’t be resolved. Adam was aware that this was perhaps the one true supernatural experience he had ever witnessed, yet for him what they were hearing had become somehow safe. Almost mundane, even.

Adam never did tell Margaret. He toyed vaguely with the idea of borrowing a tape recorder from someone, though he wasn’t sure how he could get such a large device into the house undetected, and in the end did nothing. There was no need to rush. Every night, or rather every small hours, the noise was there, unchanging.

Until it wasn’t. It lasted nearly two weeks, then it stopped. It never resumed.

He rather missed it.

Photo and art provided by Sam Dawson.



Thursday, 7 September 2023

Horror Anthology: An Interview with Sam Dawson

The Black Beacon Book of Horror will be released on Friday the 13th of October; the Kindle version is available for pre-order at just $1.99 instead of $3.99 and you can add the anthology to your Goodreads list today. To get you in the mood for a particularly spooky Halloween this year, we’re interviewing the contributing authors. The first Black Beacon Book of Horror is bound to give you the creeps!

Hi Sam,

Why do you write horror?

Because that’s what I started with and I suspect it’ll never release its grasp. I’ve written history and a (not yet published) non-horror novel, but every time I turn to a new short story some twisted element to the situation will always present itself and request inclusion.

Is there a story behind your story in this anthology?

The Floppy Man was a character I used to scare friends with when telling stories in my teens. Later, when I finally had the confidence to write something he sprang to mind. The original Morris Dancers were at a badly chosen countryside pub which turned out to be a hunt meeting place, and it took a while to separate in my mind the one harmless tradition from the other, anything but, one.

Do you have an all-time favourite horror tale?

If you’d asked me years ago, maybe, but there’s such a fantastic canon of both classic and new work out there now that it would be invidious to choose just one or two.

What books did you grow up reading?

Anything that was at hand, and luckily, something always was. Boyhood favourites included Biggles, John Buchan and Alistair Maclean, historical stories, classics, A Century of Creepy Stories and similar ghost anthologies from the 1930s. By age 11, thanks to school, I’d been exposed to Dickens, Conrad, George Orwell and Laurie Lee, and at home had just discovered Poe. From there on it just got better and better.

Would you share something about yourself that your readers don’t know yet?

On paper, I’d rather not. In good company, maybe after a drink or two, probably yes.

Where can we find you online?

Thanks for answering our questions.